flower-shilling

Blast from the past

Stanley Forman was working for the Boston Herald American on July 22, 1975, when he got a call about a fire on Marlborough Street. He raced over in time to see a woman and child on a fifth-floor fire escape. A fireman had set out to help them, and Forman figured he was shooting another routine rescue.

?Suddenly the fire escape gave way,? he recalled, and Diana Bryant, 19, and her goddaughter Tiare Jones, 2, were swimming through the air. ?I was shooting pictures as they were falling?then I turned away. It dawned on me what was happening, and I didn?t want to see them hit the ground. I can still remember turning around and shaking.? Bryant died from the fall, her body cushioning the blow for her goddaughter, who survived.

While the event was no different from the routine tragedies that fill the local news, Forman?s picture of it was. Using a motor-drive camera, Forman was able to freeze the horrible tumbling moment down to the expression on young Tiare?s face.

 

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View From The Window At Le Gras, 1826

It took a unique combination of ingenuity and curiosity to produce the first known photograph, so it?s fitting that the man who made it was an inventor and not an artist. In the 1820s, Joseph Nic?phore Ni?pce had become fascinated with the printing method of lithography, in which images drawn on stone could be reproduced using oil-based ink.

Searching for other ways to produce images, Ni?pce set up a device called a camera obscura, which captured and projected scenes illuminated by sunlight, and trained it on the view outside his studio window in eastern France. The scene was cast on a treated pewter plate that, after many hours, retained a crude copy of the buildings and rooftops outside.

The result was the first known permanent photograph. It is no overstatement to say that Ni?pce?s achievement laid the groundwork for the development of photography. Later, he worked with artist Louis Daguerre, whose sharper daguerreotype images marked photography?s next major advancement.

 

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French women who befriended the Nazis, through coerced, forced, or voluntary relationships, were singled out for shameful retribution following the liberation of France.

The woman photographed here, believed to have been a prostitute who serviced German occupiers, is having her head shaved by French civilians to publicly mark her. This picture was taken in Montelimar, France, on August 29, 1944.

At the end of World War II, many French people accused of collaboration with Germany endured a particularly humiliating act of revenge: their heads were shaved in public.

Nearly all those punished were women. Most historians have stressed the sexual anxiety created by the Nazi Occupation and how women?s sexual activity was judged as part of a public ?cleansing? after liberation.

Similar to the vigilante gangs that punished men who collaborated with the occupiers, groups would band together to judge women by parading them in the public square. This episode in French history continues to provoke shame and unease and as a result, has never been the subject of a thorough examination.

The punishment of shaving a woman?s head had biblical origins. In Europe, the practice dated back to the dark ages, with the Visigoths. During the middle ages, this mark of shame, denuding a woman of what was supposed to be her most seductive feature, was commonly a punishment for adultery. Shaving women?s heads as a mark of retribution and humiliation was reintroduced in the 20th century.
 

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Georges Blind, a member of the French resistance, smiling at a German firing squad, 1944

This was a mock execution attempting to get the resistance fighter, Georges Blind, to talk. It didn?t work. Georges did not divulge any information. It?s interesting how they?ve placed him at the corner of the building rather than against the stereotypical flat wall. It must make ricochet injuries to the firing squad members much less likely.

Of course, this was a mock execution, but most likely they used the same site for real executions. Georges Blind was eventually forwarded to a concentration camp, where he was selected for termination on arrival, dying some time in late November 1944.

A mock execution is a stratagem in which a victim is deliberately but falsely made to feel that his execution or that of another person is imminent or is taking place. It may be staged for an audience or a subject who is made to believe that he is being led to his own execution.

This might involve blindfolding the subjects, making them recount last wishes, making them dig their own grave, holding an unloaded gun to their head and pulling the trigger, shooting near (but not at) the victim, or firing blanks. Mock execution is categorized as psychological torture.

There is a sense of fear-induced when a person is made to feel that they are about to be executed or witness someone being executed. Mock execution is considered psychological torture because there is no physical harm caused, but there is mental harm.

Psychological harm is caused because the victim?s suspense level increases while awaiting their death or someone else?s, which is considered torture. The psychological trauma begins to occur when the victim realizes that they are about to be executed.

The psychological trauma results in permanent damage equivalent to the aftermath of physical torture. The buildup of anxiety due to mock execution could influence the end result of the staged death.

Usually, the mock executions were done to intimidate and let people in occupied Europe not to mess with the Germans. The Germans thought the best way to fight resistance movements was to be utterly brutal in putting it down. If a village housed a few fighters, they would just take out the whole village.

They had whole SS squads dedicated to this. They would also incorporate any local police forces, so they had a good lay of the land and a line to insider info. A lot of these local police forces helped the Germans because they were so scared themselves and got some preferential treatment.

Also, this was Hitler?s strategy in the East from the start. Any village suspected of hosting partisans would have all of its men executed, at the very least. The extermination of Communist Party commissars and Jews was also ordered and was mixed in with these ?anti-partisan? activities in an effort to hide the reality of Hitler?s war of annihilation.

This is identical to the French response against Spanish partisans after Napoleon?s invasion of Spain. The French troops could not fight the English/Portuguese while the Spanish terrorized their supply lines. For every French soldier killed by partisans, X number of civilians would be executed.

The firing squads are large so that no one man is solely responsible for the killing. In some cases, one or more members of the firing squad may be issued a weapon containing a blank cartridge instead of one housing a live round.

No member of the firing squad is told beforehand if he is using live ammunition. This is believed to reinforce the sense of diffusion of responsibility among the firing squad members, making the execution process more reliable.

It also allows each member of the firing squad to believe afterward that he did not personally fire a fatal shot?for this reason, it is sometimes referred to as the ?conscience round?. However, a military firing squad in the field performing a martial execution ad-hoc, as seen here, is not likely to observe this nicety.
 

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This photo at first was regarded by many editors as too disturbing to print, but later became one of the most famous images of the first Gulf War. This photo was taken by Ken Jarecke, his quote: ?If I don?t photograph this, people like my mom will think war is what they see on TV?.
 

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ozcopper said:
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That's some rotten.com proper gore right there. eek














This photo at first was regarded by many editors as too disturbing to print, but later became one of the most famous images of the first Gulf War. This photo was taken by Ken Jarecke, his quote: ?If I don?t photograph this, people like my mom will think war is what they see on TV?.
 
Originally intended to prevent crime and drunkenness, it soon became clear that Prohibition did just the opposite, as illegal speakeasies became prevalent and bootlegging essentially led to the establishment of organized crime in the United States.

Ironically, America?s thirst for alcohol increased during Prohibition, and organized crime rose up to replace formerly legal methods of production and distribution.

Passed by Congress in 1917 and ratified by 1919, the 18th Amendment to the Constitution prohibited the manufacture or sale of alcohol within the United States. Enforcement of prohibition proved extraordinarily difficult as organized crime and smuggling rings grew and home-brewing became increasingly popular.

In 1933, the 18th amendment was repealed amid much celebration. Repealing the 18th Amendment had been a central policy of President Roosevelt?s campaign, who suggested reintroducing alcohol as a way to raise taxes during a time of economic hardship.

After the 18th Amendment was repealed in 1933, Yuengling sent a truckload of ?Winner Beer? to President Franklin D. Roosevelt in appreciation, which arrived the day the amendment was repealed ? particularly notable since Yuengling beer takes almost three weeks to brew and age.

An estimated 10,000 people died of alcohol poisoning during prohibition from bootleg whiskey, tainted gins, and a federal government program that added poison to alcohol to frighten folks from imbibing (according to The Poisoner?s Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York).

The ?Roaring Twenties? and the Prohibition era are often associated with unchecked use and abuse of alcohol, yet the statistics tell a different tale. According to a study conducted by M.I.T. and Boston University economists in the early 1990s, alcohol consumption actually fell by as much as 70 percent during the early years of the ?noble experiment?.

Even after the repeal of Prohibition, some states maintained a ban on alcohol within their own borders. Kansas and Oklahoma remained dry until 1948 and 1959, respectively, and Mississippi remained alcohol-free until 1966?a full 33 years after the passage of the 21st Amendment. To this day, 10 states still contain counties where alcohol sales are prohibited outright.

Why are they with booze in their hands? A lot of places were secret bars with hatches that would drop the hidden whiskey into an underground corridor. They most likely had the booze in wait when it ended. As for the other places, they most likely heard that the law was going to end soon of days, so they had plenty of time to prepare.
 

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https://www.tiktok.com/@thenotsofamouslee/video/6949210101911686405?is_from_webapp=1&sender_device=pc&web_id=6921171219819644418

https://www.tiktok.com/@ricordierisate/video/6905008492927601921?is_from_webapp=1&sender_device=pc&web_id=6921171219819644418
 
Citro?n Karin: A bizarre French concept car that looked like a pyramid spaceship on wheels, 1980.
 

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Born 1930 in Charleston, West Virginia, American actress and model Allison Hayes made her film debut in the 1954 comedy Francis Joins the WACS. Her second film, Sign of the Pagan, provided her with an important role in a relatively minor film. Released from her contract, she was signed by Columbia Pictures in 1955.

Chicago Syndicate is her first film for Columbia. Count Three and Pray gave her the role that she later described as the best of her career. Hayes played with Van Heflin, co-starring with Raymond Burr and Joanne Woodward in her debut.

Hayes appeared in films such as Steel Jungle, Mohawk, and Gunslinger (all 1956), but a fall from a horse during the filming of the latter left Hayes with a broken arm and unable to work. After she recovered, she began appearing in supporting roles in television productions.

During 1963 and 1964, Hayes played a continuing role in the General Hospital but by this time her movie career was virtually over.

As her acting career declined, she began to experience severe health problems and was unable to walk without a cane. In severe pain, her usually good-natured personality began to change and she became emotional and volatile, making it difficult for her to secure acting work. She was given a minor role in the 1965 Elvis Presley film Tickle Me, making her final appearances in a guest role on Gomer Pyle, U.S.M.C. in 1967.

Hayes died in 1977 at the University of California Medical Center in San Diego, California, one week before her 47th birthday.
 

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June 1939. Custer County, Montana. "Cattle thief hanged in effigy along U.S. Highway 10 to provide Western atmosphere for tourists. '777' refers to secret password of vigilantes in 1864."
 

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The Nemi ships, built almost 2000 years ago by emperor Caligula, discovered in 1929 and destroyed by fire in 1944 during World War II.

Although the purpose of the ships is only speculated upon, the larger ship was an elaborate floating palace, which contained quantities of marble, mosaic floors, heating and plumbing, and amenities such as baths. Both ships featured technology thought to have been developed historically much later.
 

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Egon Br?tsch Fahrzeugbau, usually shortened to Br?tsch, was a German automotive design and automaker based in Stuttgart, Baden-W?rttemberg.

Br?tsch were best known for producing many microcar designs, but only produced small numbers of each design and the primary function of the company appears to have been that of the development and promotion of each design to sell licences to manufacture to other companies.

Between 1952 and 1958, eleven different models of car were manufactured by Br?tsch, but the total production of all models by the company is believed to be only eighty-one cars.

Many of the bodywork designs were simple two-piece mouldings of polyester reinforced with fiberglass, bonded at a waistline join, which was then covered by a protective strip. Chassis and suspension design was very rudimentary and after a misguided court action in 1956 by Br?tsch against a licensee, at least one of Br?tsch?s designs was condemned as dangerous. The abbreviated chassis used on the majority of the cars meant that for structural integrity they could not have doors and all these models had low sides to facilitate entry and exit.

Br?tsch 200 ?Spatz? or Dreirad-Dreisitzer 1954-1955
A 3-seater, 3-wheeled roadster, powered by a single cylinder 191 cc Fichtel & Sachs engine driving through a four speed gearbox. Top speed was around 90 km/h (56 mph) and about five cars were produced. Also built under licence by A. Gr?nhut & Co of Switzerland with minor changes and sold as the Belcar. Another licence was sold to Alzmetall for production by Harald Friedrich GmbH of Germany, but so many faults were found with the original design that their production model, the Spatz Kabinenroller was fundamentally a different car. Because of this Br?tsch took Alzmetall to court to ensure payment of his licence fees but lost the case.
 

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